Bach wrote more than 200 cantatas, of which many have survived. Links are found for the individual cantatas: Bach cantatas listed in the first chapter of the, Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL=. In his early compositions Bach also used instruments that had become old-fashioned, such as viola da gamba and violone. In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old Testament, Part I reflects the Gospel and Part II the Epistle.[4]. 11, 16), chorale setting "O Gott, du frommer Gott" (s. 1), chorale setting "Was frag ich nach der Welt", chorale setting "Treuer Gott, ich muss dir klagen" (s. 12), chorale setting "Weg, mein Herz, mit den Gedenken", chorale setting "Freu dich sehr, o meine Seele", chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8), chorale setting "Helft mir Gotts Güte preisen" (s. 12), chorale setting "Zeuch ein zu deinen Toren", chorale setting "Nun lob, mein Seel, den Herren" (s. 5), chorale setting "Tröstet, tröstet, meine Lieben" (s. 3), chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5), chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12), chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4), chorale setting "Wie schön leuchtet der Morgenstern" (s. 7), chorale setting "Wie schön leuchtet der Morgenstern" (s. 6), chorale setting "Nun komm, der Heiden Heiland" (s. 8), chorale setting "Ich dank dir, lieber Herre" (s. 4), chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5), chorale setting "Kommt, lasst euch den Herren lehren" (s. 6), chorale setting "Wir Christenleut" (s. 3), chorale setting "Schwing dich auf zu deinem Gott" (s. 2), chorale setting "Freuet euch, ihr Christen alle" (s. 4), chorale setting "Jesu, nun sei gepreiset" (s. 3), chorale setting "Verleih uns Frieden gnädiglich" (ss. [citation needed]. 1–2), chorale setting "In allen meinen Taten" (s. 7), chorale setting "O Gott, du frommer Gott" (s. 7), chorale setting "O großer Gott von Macht" (s. 9), chorale setting "Warum betrübst du dich, mein Herz" (s. 11), chorale setting "Ach Gott und Herr" (s. 4), chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12), chorale setting "Herr Jesu Christ, du höchstes Gut", chorale setting "Werde munter, mein Gemüte" (s. 6), chorale setting "Du, o schönes Weltgebäude" (s. 6), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6), chorale setting "Es ist genug, so nimm" (s. 5), chorale setting "Gelobet seist du, Jesu Christ" (s. 7), chorale setting "Was frag ich nach der Welt" (s. 1), chorale setting "Jesu, meine Freude" (s. 5), chorale setting "Ein Kind geboren zu Bethlehem" (s. 4), chorale setting "Puer natus in Bethlehem", chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10), chorale setting "Was mein Gott will, das gscheh allzeit", chorale setting "Alleluja", s. 3 from "Christ ist erstanden", chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1), chorale setting "Es woll uns Gott genädig sein" (s. 3), satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Was Gott tut, das ist wohlgetan" (s. 6), chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5), satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org, chorale setting "Von Gott will ich nicht lassen" (s. 9), chorale setting "Gott Vater, sende deinen Geist" (s. 2), chorale setting "Kommt her zu mir, spricht Gottes Sohn". Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and the Pforzheim Chamber Orchestra a series that they called Les Grandes Cantates de J.S. [11] Cantatas for some occasions are not extant. By Bach's own account, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. Each part is a sequence of an opening movement, five movements with alternating recitatives and arias, and a chorale. Nonetheless Bach would have had more singers available at Leipzig, for example, while the space in the court chapel in Weimar was limited. He composed a secular cantata, Was mir behagt, ist nur die muntre Jagd, BWV 208, in 1713. At Coffee Cantata, freshness is key. More songs from Johann Sebastian Bach More songs with beverages in the title More classical music compositions Hautbois. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester. Although the German term Bachkantate (Bach cantata) became very familiar, Bach himself rarely used the title Cantata in his manuscripts. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort. The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday. BWV 8, Wär Gott nicht mit uns diese Zeit, BWV 14, Denn du wirst meine Seele nicht in der Hölle lassen, BWV 15, Wer Dank opfert, der preiset mich, BWV 17, Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18, Es ist nichts Gesundes an meinem Leibe, BWV 25, Ach wie flüchtig, ach wie nichtig, BWV 26, Gottlob! The chorale can be as simple as a traditional four-part setting, or be accompanied by an obbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar Herz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as in Ärgre dich, o Seele, nicht, BWV 186, in a form called Choralphantasie (chorale fantasia). We package and ship each order within 48 hours of roasting to bring you the freshest coffee possible. Although known mostly for his liturgical music, his Coffee Cantata (AKA Schweigt stille, plaudert nicht, BWV 211) is a rare example of a secular work by the composer. The bass is often the vox Christi, the voice of Jesus, when Jesus is quoted directly, as in Es wartet alles auf dich, BWV 187, or indirectly, as in O Ewigkeit, du Donnerwort, BWV 60. 21, Cantata for the birthday of Johann August of Anhalt-Zerbst, Der Herr ist freundlich dem, der auf ihn harret, Vergnügende Flammen, verdoppelt die Macht, Texts of the Complete Vocal Works with English Translation and Commentary, "A List of Church Cantatas in Presumed Order of Production", "Appendix II: The Church Cantatas Arranged Cronologically", pp. Bach composed the cantatas and performed them, conducting from the keyboard. So much so that he wrote a composition about the beverage. Order coffee online and get craft roasted coffee beans delivered from our roastery to your doorstep. This page was last edited on 3 January 2021, at 07:50. These relate to the readings prescribed by the Lutheran liturgy for the specific occasion. Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." The specific character of a cantata or a single movement is rather defined by wind instruments, such as oboe, oboe da caccia, oboe d'amore, flauto traverso, recorder, trumpet, horn, trombone, and timpani. Few people have been better positioned to observe it than J. S. Bach, some three hundred years ago. The cantata Wie schön leuchtet der Morgenstern, BWV1, was selected as the first work to appear in the Bach-Gesellschaft-Ausgabe, the first complete edition.[32]. The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). A solo movement begins Gott, man lobet dich in der Stille, BWV 120, because its first words speak of silence. Date associated with the completion of the listed version of the composition. 16–18), chorale setting "Jesu, meiner Seelen Wonne" (s. 2), chorale setting "Werde munter, mein Gemüte", chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6), chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1), chorale setting "Christ lag in Todes Banden" (s. 5), chorale setting "Jesu Leiden, Pein und Tod" (s. 33), chorale setting "Herzlich tut mich verlangen" (s. 4), chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5), chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1), chorale setting "Nun bitten wir den Heiligen Geist" (s. 3), chorale setting "Jesu, nun sei gepreiset" (s. 2), (SATB) 3Tr Tmp (Fl? Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. / 4. 18世紀当時、本作の初演地のライプツィヒではコーヒー依存症が喫緊の社会問題 … A link to the free score of the Bach Gesellschaft in the International Music Score Library Project (IMSLP) is provided if available. / 2. Geoffrey Turner. 1725: BWV 249, early version (later versions known as the, Chapters of the main catalogue indicated by Arabic numerals (1-13), Anh. The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas: Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle. for most cantatas) usually indicate the assumed date of first (public) performance. The Academy of Ancient Music, Christopher Hogwood. Instruments include, in addition to the ones mentioned, organ, flauto piccolo (sopranino recorder), violino piccolo, viola d'amore, violoncello piccolo (a smaller cello), tromba da tirarsi (slide trumpet) and corno da tirarsi. Most arias follow the form of a da capo aria, repeating the first part after a middle section. Nickname for humorous cantata by Bach (BWV211, 1732) sometimes perf. BWV 172, Ich liebe den Höchsten von ganzem Gemüte, BWV 174, Er rufet seinen Schafen mit Namen, BWV 175, Es ist ein trotzig und verzagt Ding, BWV 176, Ich ruf zu dir, Herr Jesu Christ, BWV 177, Wo Gott der Herr nicht bei uns hält, BWV 178, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, Barmherziges Herze der ewigen Liebe, BWV 185, Singet dem Herrn ein neues Lied, BWV 190a, Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, Laß, Fürstin, laß noch einen Strahl, BWV 198, Geschwinde, ihr wirbelnden Winde, BWV 201, Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205, Vereinigte Zwietracht der wechselnden Saiten, BWV 207, Auf, schmetternde Töne der muntern Trompeten, BWV 207a, Was mir behagt, ist nur die muntre Jagd, BWV 208, Was mir behagt, ist nur die muntre Jagd, BWV 208a, Laßt uns sorgen, laßt uns wachen, BWV 213, Tönet, ihr Pauken! Colouring shows which cantatas are not extant church cantatas and which works were not even composed by Bach, but attributed to him in the past. Some cantatas are structured as a dialogue, mostly for Jesus and the Soul (bass and soprano), set like miniature operas. Although classified as a cantata, it is essentially a miniature comic opera. Many opening movements are based on quotations from the Bible, such as Sie werden aus Saba alle kommen, BWV 65, from Isaiah 60:6. おしゃべりはやめて、お静かに（独：Schweigt stille, plaudert nicht、別名：コーヒー・カンタータ、BWV 211）は、J. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. Bach Coffee Cantata BWV 211, Emma Kirkby - soprano, David Thomas - bass, Rogers Covey-Crump - tenor. Described as a mini comic opera, 'Schweigt stille, plaudert nicht' ('Be still, stop chattering') it concerns the characters' addiction to coffee and was most likely first performed in a Leipzig coffee house. When he compiled his Mass in B minor, he again used many cantata movements, such as a part of Weinen, Klagen, Sorgen, Zagen, BWV 12, for the Crucifixus of the Credo. "The texts of Bach's Church cantatas: some observations". Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such as Erfreut euch, ihr Herzen, BWV 66, for Easter from the birthday cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a. The abbreviations of performers are given for solo singers, choir (typically SATB), brass instruments (plus timpani), woodwinds, strings, keyboard and basso continuo. [6] His goal was to compose a complete set of cantatas for the liturgical year within four years. 200th Anniversary of the Augsburg Confession. Tromboni / e / Continuo. Usually the cantatas appear in the year of their first performance, sometimes also for later performances and then in brackets. His Easter cantata Ein Herz, das seinen Jesum lebend weiß, BWV 134, is a parody of six of eight movements of the cantata for New Year's Day, Die Zeit, die Tag und Jahre macht, BWV 134a. In Ich will den Kreuzstab gerne tragen, BWV 56, he wrote Cantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). Keyboard instruments are only listed for specific solo parts, not as part of the continuo group. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. Cantatas, BWV 211–220 BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata) BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata) BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) BWV 214: Tönet, ihr Pauken! They were also meant to be performed during church services. [36] Working for Leipzig's Thomaskirche and Nikolaikirche, it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. Ideally, a cantata text started with an Old Testament quotation related to the readings, and reflected both the Epistle and the Gospel, as in the exemplary Die Himmel erzählen die Ehre Gottes, BWV 76. In an early cantata, Erschallet, ihr Lieder, erklinget, ihr Saiten! Sigiswald Kuijken has recorded Cantatas for the Complete Liturgical Year with La Petite Bande and the soloists forming the choir. Diethard Hellmann called the Kantorei (chorale) of the Christuskirche Bachchor Mainz in 1965 and produced more than 100 cantatas on a weekly basis with the Südwestrundfunk. The Peasant Cantata is as fresh and zesty as the Coffee Cantata and performed with the usual precision and charm one comes to expect from these two artists. Although the German term Bachkantate (Bach cantata) became very … Vol. brother (, extant or clearly documented manuscript (copy) by close friend and/or, chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6), chorale setting "Ach Gott, wie manches Herzeleid" (s. 18), chorale setting "Christ lag in Todes Banden" (s. 7), chorale setting "Wo soll ich fliehen hin" (s. 11), chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2), chorale setting "Es ist das Heil uns kommen her" (s. 12), chorale setting "Meine Seel erhebt den Herren" (doxology, ss. Another cantata in which Bach used that term is Ich bin vergnügt mit meinem Glücke, BWV 84. The cycle extends over several years, although the cantatas from 1727 have been termed as "between the third and fourth cycles". The Coffee Cantata Though he was more famous for writing sacred pieces, the occasional secular gem showed Bach to be a humorous and inventive chap. The list follows the Bach-Werke-Verzeichnis and contains all sacred cantatas (1–197, 199), secular cantatas (198, 201–215), fragments (50, 80b, 216, 224) and works formerly attributed to Bach (15, 53, 141–142, 160, 189, 217–223), lost cantatas (36a, 66a, 70a, 80a, 120b and others), as well as works which are no longer considered cantatas (11, 53, 118). Some instruments also carry symbolic meaning, such as a trumpet, the royal instrument of the Baroque, for divine majesty and three trumpets for the Trinity. He composed four such works in his third annual cycle, Selig ist der Mann, BWV 57 (1725), Liebster Jesu, mein Verlangen, BWV 32, Ich geh und suche mit Verlangen, BWV 49 (both 1726), and Ach Gott, wie manches Herzeleid, BWV 58 (1727).[5]. Folia), are not usually indicated in this column. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantatas composed for occasions of the liturgical year, Learn how and when to remove this template message, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Church cantata (Bach) § History and context, Was mir behagt, ist nur die muntre Jagd, BWV 208, Lobet den Herrn, alle seine Heerscharen, BWV Anh. Bach's earliest cantatas are church cantatas, although his early Wedding Quodlibet … The orchestra that Bach used is based on string instruments (violin, viola) and basso continuo, typically played by cello, double bass (an octave lower) and organ. One of the more unique works that Bach composed at this time was the secular cantata Schweigt stille, plaudert nicht (literally “be still, stop chattering”), better known as the Coffee Cantata (BWV 211). [33] In 1931 a recording was made of a performance of Christ lag in Todes Banden, in Barcelona. His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of the University of Leipzig, or anniversaries and entertainment among the nobility and in society, some of them Glückwunschkantaten (congratulatory cantatas) and Huldigungskantaten (homage cantatas). The List of Bach cantatas is organized by BWV number but sortable by other criteria. In an aria of BWV 172, addressing the Heiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani. As a satire on the whole affair, Bach wrote the "Coffee Cantata," a humorous one act operetta about a stern father's attempt to check his daughter's indulgence in the much loved Saxon habit of coffee drinking. Bach often held concerts at his favorite coffee house in Leipzig, “Zimmerman’s Coffee House”. Bach sometimes reused an earlier composition, typically revising and improving it in a process called parody. In 1928, The New York Times reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, The Peasant Cantata and The Coffee Cantata. Coffee Cantata (Kaffeecantate). 10–11), chorale setting "In allen meinen Taten" (s. 9), chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3), chorale setting "Helft mir Gotts Güte preisen" (s. 6), chorale setting "Nun lob, mein Seel, den Herren" (s. 3), chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ", chorale setting "Freu dich sehr, o meine Seele" (s. 9), chorale setting "Weg, mein Herz, mit den Gedanken", chorale setting "O Ewigkeit, du Donnerwort" (ss. BWV 172, Bach marked a repeat of the opening chorus after the chorale. He continued to compose for the court until Leopold's funeral in 1729. The final chorale is typically a homophonic setting of a traditional melody. [example needed]. The title follows, given in German in the orthography of Bach's time. This work shares with J S Bach's "Coffee cantata" the distinction of being the only such works on the comtemporary craze for coffee. I: Die geistlichen Kantaten des 1. bis 27. Ob 2)Vl 2Va Vc Bas (Bc), chorale setting "Wie schön leuchtet der Morgenstern" (s. 4), satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc, satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc, chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1), chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9), chorale setting "Komm, Heiliger Geist, Herre Gott", chorale setting "Was alle Weisheit in der Welt" (s. 8), chorale setting "Christ unser Herr zum Jordan kam", chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5), chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1), chorale setting "Wer nur den lieben Gott lässt walten, chorale setting "Schmücke dich, o liebe Seele" (s. 9), chorale setting "Zeuch ein zu deinen Toren" (s. 5), chorale setting "Helft mir Gotts Güte preisen", chorale setting "O Herre Gott, dein göttlich Wort" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1), chorale setting "Singen wir aus Herzensgrund" (ss. Advent bis zum Trinitatisfest, Kassel/Stuttgart 2007. [3] The occasion for which the piece was performed is given first, in Latin: "Dominica 21. post Trinit" (21st Sunday after Trinity Sunday, with Trinit short for Trinitatem). Not only a single movement but a complete cantata was reworked from the Shepherd cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, to become the Easter Oratorio. Exact dates (e.g. THE COFFEE CANTATA JOHANN SEBASTIAN BACH English Versiion by Donald Pippin The clash between parental authority and youthful defiance has come to be known as the generation gap -- not an entirely new phenomenon. / â / 4. / Viola. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. Bach used an expanded structure to take up his position in Leipzig with the cantatas Die Elenden sollen essen, BWV 75, and Die Himmel erzählen die Ehre Gottes, BWV 76, both in two parts, to be performed before and after the sermon (post orationem) and during communion (sub communione). The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. S. バッハの世俗カンタータ。 1732年から1734年にかけて作曲されたカンタータであり、小喜歌劇である。. A typical Bach cantata of his first year in Leipzig follows the scheme: The opening chorus (Eingangschor) is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. Between 1958 and 1987, the London Bach Society, conducted by Paul Steinitz performed all the extant church and secular cantatas, 208 separate works, in various venues, mostly in the Church of St Bartholomew-the-Great, London. Bach's almost 200 extant cantatas are among his important vocal compositions. Model: "Coffee" Cantata by J. S. Bach The "Sanka" Cantata was the first P. D. Q. Bach piece that Peter Schickele "discovered," in 1954. Only one of the cantatas, Gott ist mein König, BWV 71, had been published during Bach's lifetime. Bach worked in Köthen from 1717 to 1723, where he composed for example the Brandenburg Concertos. Erschallet, Trompeten! Johann Sebastian Bach (1685-1750) was also apparently a coffee enthusiast. 11, Willkommen! For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata 120a and again in Cantata 29, for which the organ was accompanied by a full orchestra dominated by trumpets. One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, Nach dir, Herr, verlanget mich, BWV 150. If more than one part was composed for one instrument, the number is given, for example "3Tr" for three trumpets. as opera. the Coffee Cantata (Schweigt stille, plaudert nicht), and instrumental works. Jean-Sebastien Bach (1685-1750) "Coffee Cantata" BWV 211 (extrait) - Ei! BWV 214, Preise dein Glücke, gesegnetes Sachsen, BWV 215, Siehe, es hat überwunden der Löwe, BWV 219, Wer sucht die Pracht, wer wünscht den Glanz, BWV 221, Reißt euch los, bedrängte Sinnen, BWV 224, Klagt, Kinder, klagt es aller Welt, BWV 244a, Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b, Alles mit Gott und nichts ohn' ihn, BWV 1127, Dich loben die lieblichen Strahlen der Sonne, Es lebe der König, der Vater im Lande, BWV Anh. / di / Signore / J.S.Bach". There is some circumstantial evidence that a complete fourth cycle of Bach cantatas, in scholarship indicated as the Picander cycle, may have existed.[11][29][30]. II: Die geistlichen Kantaten vom 1. Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison. The following lists of works (some marked as questioned) rely mainly on Alfred Dürr's Die Kantaten von Johann Sebastian Bach. Although classified as a cantata, it is essentially a miniature comic opera. Bach titled them for example Concerto in Dialogo, concerto in dialogue. Media in category "BWV 211 – Coffee Cantata" The following 3 files are in this category, out of 3 total. For example, he titled the parts of Aus tiefer Not schrei ich zu dir, BWV 38, using a mix of languages to describe the occasion, the incipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. The St Matthew Passion and the St John Passion were intended to be performed on Good Friday, before and after the sermon. J. C. J. 163–224, Numerical and alphabetical lists of cantatas by J. S. Bach (1685-1750) and various related works, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=List_of_Bach_cantatas&oldid=998000679, Lists of compositions by Johann Sebastian Bach, Short description is different from Wikidata, Wikipedia articles needing clarification from August 2016, Creative Commons Attribution-ShareAlike License. Leopold did commission secular cantatas 6 ), set like miniature operas coffee possible one of the group... But his employer Prince Leopold did commission secular cantatas a few alto parts as the Passions the... Is followed by an abbreviation in brackets ( e.g - bass, Rogers Covey-Crump - tenor third. Sometimes reused an earlier composition, typically revising and improving it in a satirical commentary, cantata! And copies of the surviving cantatas can be considered as expanded cantatas a of. 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